I'm not surprised that Apple are quitting on this application. They were really developing it early, and slowed their enhancements quickly, sitting on their laurels.
I saw the app when the released it, and it wouldn't run on my then current machine. The system requirements pushed desktop machines, and my older desktop machine wasn't a match for my laptop computer. Aperture made great use of graphics through OpenGL and few of their machines were capable of giving it enough.
Apple has a terrible habit of producing good hardware or good software but rarely produces good matches on the desktop. It's as though they don't communicate with themselves. If you look back at the early PowerPC machines, they were very powerful, yet Mac OS 7.6.x (or Mac OS 8.x or Mac OS 9.x) didn't take advantage of them properly. When I installed BeOS on my PowerPC 604e machine, I was shocked at the display of power--power Apple were wasting.
In photography in 2004, there weren't good raw development applications. Thankfully, Olympus' JPEG engine created really good JPEG files, and the E-1 also created TIFF files, which were definitely useful in business.
Time passed, and I was part of a discussion that led to the Silkypix raw development application. I downloaded it and tried it. I found it to be odd. It wasn't Japanese odd--I'm Japanese. It was like so many programmers' projects--great on the inside, lousy on the outside.
I tried Adobe Camera Raw through Photoshop. I really don't believe that Adobe ever understand that their applications should work with you, not against you. They just don't seem to want to fix anything, and it shows up when you're trying to finish work. I got some beta trial for Lightroom and that was interesting, but didn't encourage me, as it was extremely buggy.
At some point, I had an offer for Capture One from Phase One, version 2 or 3. I downloaded it, and tried to use it. It was a bit of a pain. However, it produced reasonable results. As the versions have come and gone, the application has become as important as the camera body to me. Version 7 has been on a bumpy road, with the integration of media storage, but it now is easy to use and has produces high image quality, likely second to none.
Their version 7 imaging engine has even given me better quality from older images, at least, with the E-5. Noise doesn't seem to be a factor, unless you're working in really low light. That said, current digital sensors all seem to be better than the best film, and many have come to have a grainy look when they produce a lot of noise toward their limits. That isn't much different than film. (At this point, I don't even need Photoshop, as Capture One does so much, especially with additional Pro version features.)
In any case, I'm sad for all of the Aperture users who will not be getting upgrades. I think it speaks volumes about choosing Apple for applications. Will Final Cut Pro go away? Did they make a deal to keep Adobe applications on (Mac) OS X, killing Aperture? It seemed that Adobe responded very, very quickly to the announcement, as if they already had plans.
Ramblings on computers, cameras, cars, and other things that start with C.
Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts
Saturday, June 28, 2014
Tuesday, May 7, 2013
Adobe, what are you thinking?
I'm cynical, okay?
Adobe's announcement about the end of Creative Suite tells me just one thing: Adobe want more money.
They can put a spin on anything but they have a habit of not fixing their products. They add features but they don't fix long-standing issues. It's rather obvious with the Flash runtime that they aren't doing things correctly because there seems to be a new security issue almost every week. They dress it up by saying "performance enhancements" but they know the truth and are unwilling or unable to tear things apart and make them work correctly. They're like Apple or Microsoft, but worse.
Of course, there really aren't modern alternatives to Photoshop. Live Picture was good and so was PhotoStyler/xRes but they're gone. You could call Corel's Photo Paint an alternative, but it would be difficult to take it any more seriously than The GIMP.
I'm seriously considering getting involved in The GIMP. The last time I tried it was painful and problematic, much like many open source-based tools. If it could work as smoothly as a commercial tool, people might take it seriously, but it has to work on the creator's desktop (as a native tool, not as a well-yeah-i-know-but-it-works kind of software), as well as that of the print house's desktop. That's a huge trick.
I've become so disenchanted with Adobe, and their decisions, that I'm barely a customer now. That said, I picked up a copy of Photoshop Elements 11 (based on Photoshop CS5, apparently), just to have something a bit more modern than my Photoshop CS3, which probably isn't happy on Mac OS X 10.8.x. (If that seems a crazy switch, I'll still have Photoshop CS3 on an older machine and I don't need Lab Color and I'm not sure who needs it these days.)
Update 2013.11.14: Adobe continue to send me e-mails, telling me that they've sweetened the deal, or they've got an alternative deal with just Photoshop and Lighroom, but if I don't need Lightroom and barely need Photoshop, what good is it to me?
I wonder how many others can get by without support for newer features. I suspect it would be the majority.
Adobe's announcement about the end of Creative Suite tells me just one thing: Adobe want more money.
They can put a spin on anything but they have a habit of not fixing their products. They add features but they don't fix long-standing issues. It's rather obvious with the Flash runtime that they aren't doing things correctly because there seems to be a new security issue almost every week. They dress it up by saying "performance enhancements" but they know the truth and are unwilling or unable to tear things apart and make them work correctly. They're like Apple or Microsoft, but worse.
Of course, there really aren't modern alternatives to Photoshop. Live Picture was good and so was PhotoStyler/xRes but they're gone. You could call Corel's Photo Paint an alternative, but it would be difficult to take it any more seriously than The GIMP.
I'm seriously considering getting involved in The GIMP. The last time I tried it was painful and problematic, much like many open source-based tools. If it could work as smoothly as a commercial tool, people might take it seriously, but it has to work on the creator's desktop (as a native tool, not as a well-yeah-i-know-but-it-works kind of software), as well as that of the print house's desktop. That's a huge trick.
I've become so disenchanted with Adobe, and their decisions, that I'm barely a customer now. That said, I picked up a copy of Photoshop Elements 11 (based on Photoshop CS5, apparently), just to have something a bit more modern than my Photoshop CS3, which probably isn't happy on Mac OS X 10.8.x. (If that seems a crazy switch, I'll still have Photoshop CS3 on an older machine and I don't need Lab Color and I'm not sure who needs it these days.)
Update 2013.11.14: Adobe continue to send me e-mails, telling me that they've sweetened the deal, or they've got an alternative deal with just Photoshop and Lighroom, but if I don't need Lightroom and barely need Photoshop, what good is it to me?
I wonder how many others can get by without support for newer features. I suspect it would be the majority.
Labels:
Adobe,
Aldus,
Corel,
Creative Cloud,
Creative Suite,
Elements,
Live Picture,
Photo Paint,
Photoshop,
PhotoStyler,
The GIMP,
xRes
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