Solo Leveling: Arise, the first end

 I’m nearing the end of the game, until the new content of Jeju Island is added anyway. I’m partway through Hidden Chapter 4. My character level is 87 and my Reputation level is 55. Just having passed half a year, that seems a lot.

 

I’ve also been through quite a bit on Hard mode and also on Reverse mode. It always seems a bit of a struggle but I continue to play. Part of the struggle are all the !@#$ delays. I noticed with the new outfit, the delays were worse, so I switched back to the summer outfit.

I’m not certain the reason that they have to animate everything. The Shop doesn’t need the stickers and the words animated, do they? We see them anyway.

Back to game play, I’ve been leveling up skills for Weapons and Hunters. I’ve been trying to get Legendary Runes but Heroic seem to be more easy to Fuse. I’ve got two or three Legendary Runes and one or two Legendary Blessing Stones. I’ve adjusted which are being used, to increase power.

I have six level 100 Sung Jinwoo weapons now and one level 100 weapon for Go Gunhee. Level 80 weapons with several Advances are good, but aren’t placed as high, for whatever reason.

I’m writing this just now because I need a break. It’s somewhat exhausting to play and then, to lose at the end of an episode. I’m running out of time and die occasionally. I’m sure we all try to do things differently or analyze the strategy too many times to fix things. Sometimes, that works wonders.

 

Last night, I went through the early Chapters in Hard mode and got more trophies completed, along with Custom Draw Tickets. If I get to the end before the new content arrives, I will have time to complete more.

Panasonic micro Four-Thirds to Panasonic 135 Format

 I've recently made the jump to the Panasonic Lumix S5 Mk II after quite a while with Four-Thirds and micro Four-Thirds using Panasonic and Olympus equipment.

I've heard people going on about "Full Frame" for the last 20 years, even if they didn't have any of the products. I used 135 Format back in my film days. I couldn't wait to get rid of film after spending 6 hours at a time repairing scanned photos and/or negatives.

I got into Four-Thirds in 2004 and into micro Four-Thirds in 2012. I got into video in late 2014 with the Panasonic GH4, even though the GH3 was fully capable of 1080p recording.

For US$1699, the GH4 was an overachiever. It's still impressive but the goals have changed, and 4K is more easily achievable with a 4K TV in many homes. Fast forward to 2024 when I saw a deal for the Panasonic S5 Mk II with 50mm f/1.8 and 20-60mm f/3.5-5.6 lenses for US$2247.99. The S5 Mk II body itself really isn't much more expensive than the GH4 was in 2014.

I almost bought the G9 Mk II because there was an incredible trade-in deal and I would have saved a lot of money, and wouldn't be looking for lenses. However, I wanted something different, and I wanted to keep my Panasonic GM5.

Still, I wanted two things from a new camera body: PDAF and IBIS.

The G9 Mk II and the S5 Mk II have both and they're the best that Panasonic has done. I could have bought an older, used body without the PDAF but I struggled on occasion with the GH4 and the GX8. I recorded video on the GH4 quite a bit. I was photographing a scooter tournament at Woodward West with the GH4 taking video and the Olympus E-M1 taking still photos--the best tools for the job. At a later date, I went back to photograph a free day there and took a Nikon D7200, as well. It could not keep up.

I've had the S5 Mk II for a couple of weeks. It's a handful. Getting it set like the GH4 has been an incremental process. It's worked beautifully during the day and struggled at night. For all those people chanting "Full Frame", telling me that micro Four-Thirds wasn't getting enough light, each sensor needs the same exposure to light. The Panasonic 50mm f/1.8 on 135 Format is more difficult at night than my Leica/Panasonic 25mm f/1.4 was. Depth of Field doesn't matter if you can't get the shot. Image quality doesn't matter if you can't get the shot.

The difference between the Panasonic 50mm f/1.8 and the 50mm f/1.4 Pro lenses is about US$1500. Holy !@#$ I might as well go another thousand or two for the Leica lens. I really miss my designed-by-Leica-hand-assembled-by-Panasonic 25mm f/1.4 that was a Four-Thirds lens designed for the Leica Digilux 3. I was so afraid to take it out in bad weather, though. There was no weather-sealing at all.

Converting from the GH4, I am reminded that the video is going to be an easier transition than the still photography will be. I haven't worked with a 3:2 ratio since 135 Format film. Four-Thirds and micro Four-Thirds used 4:3 ratio, just like Medium Format. Kodak, the maker of the original sensors, was big in Medium Format.

Now, the big deal is the weight of the lenses. If you look back at the family portrait photo at the beginning, you'll notice the rather big lens. That was an Olympus SHG ZD 35-100mm f/2.0 lens. I would say that it's the finest lens I've used on any equipment. It has a 77mm filter size and it is heavy. The rest were quite easy to hand hold without IBIS or OIS but I handheld the 35-100mm f/2.0 on an Olympus E-5 to photograph swimming and basketball. I did not handhold it with any micro Four-Thirds body, including the E-M1 that was supposed to support all of the SHG lenses but was far too small for reasonable balance.

The Panasonic 50mm f/1.8 and 20-60mm f/3.5-5.6 are big and heavy for their apertures. They're weather-sealed and have Auto Focus, but they are shamefully large compared to lenses from the 1970s. Find a 50mm f/1.2 from Nikon, Olympus, or Canon and you'll find them rather small. Obviously, there were no electronic connections, no AF, no weather-sealing, but the optics were good, not great. A maximum aperture of f/1.2 meant that f/2.0 was good; f/1.4 meant that f/2.8 would be good, and it wouldn't be until later that there were amazing, regardless of the price.

Panasonic seems to be pushing daytime performance. The usual f/1.4 lenses aren't there, except for the 50mm f/1.4. As well, the telephoto zooms are few, although that's not unusual for Panasonic. I like that they all work with Dual I.S. so that the lens OIS works in conjunction with the IBIS and you can get a sharp image because of stabilization.

One thing I might do is to buy an adapter and use Canon or Nikon dSLR lenses. With micro Four-Thirds, you could buy an adapter with a focal reducer for increased effective apertures. No such tricks exist from 135 Format to 135 Format.

There are a few Chinese brands such as 7artisans, TTartisan, and Meike that are starting to make manual lenses for L-mount. Meike I trust. I had a 7artisans 55mm f/1.4 for micro Four-Thirds and it was good but heavy. The lens reviews I've seen for 7artisans and TTartisan seem evenly good and bad. Some seem to mention "falling apart", which doesn't give me confidence. Samyang has a 35-150mm f/2.0-2.8 that is appealing, if I can work with the weight. It also has auto focus, but I'll probably need a tripod or monopod to use it.

Trouble with Blogger, Probably done blogging

I recently went into one of my blog entries and it wasn't the typical text editor I normally see. It was the HTML editor and it said that I had problems with the HTML that needed to be corrected. I have never messed with the HTML side all of the years I've been using Blogger. I went to some entry that I'd done over a year ago, and that text was shown in HTML mode with an error message that there was a problem with HTML coding.

Just now, the entry looks completely off, as if they've made a change without testing it. I need to finish now, as I won't be able to trust the editing process. I would notify them, but they don't seem to make it easy to do that. I'm not sure that it's worthwhile to continue blogging, as only a handful of people read what I write. Some of the older entries have nearly 1000 views but that's over a rather long period of time. 

Be well!

 I will be at my new blog. 

Update 2024.11.18: Interesting.  Someone at Blogger must have noticed a problem.  The editor seems to be happier with my text now.

Six Months of Solo Leveling:Arise

 It's been about six months since I started playing.  I got the 180 Days of Logins achievement the other day.

 

My Character level is 86 (just today) and my Reputation level is 54.  My last ranking showed me getting closer to the Top 100, but far enough away that it will be a while.

 

I have three weapons for Sung Jinwoo that are level 100.  I have most of the SSR-ranked characters, except for Cha Hae-In, but have her weapon.

 

Our guild moved up to E2 from E3.  I haven't looked to see what's good about that.  There are only three members in the guild, whereas most guilds above us have 50 members and some are by invitation only.  In other games by Netmarble, I avoided organizations because other people would join, suck away the resources, and leave.  That isn't possible with this game.

 

The Army of Shadows has been changing somewhat rapidly lately with more characters and more characters being leveled up.

I've been progressing in the story past the Hidden Chapter 1 and its side chapter.  I'm at the end of Hidden Chapter 2 but can't quite finish yet.

Playing some of the other modes, I'm starting to see all of the extra magical creatures that are hidden later in the stories.

I like the game, especially when the Story mode mixes battles with manga/manhwa or anime.  Seeing things develop makes it more interesting.  It could use more locations.  Most of the arenas are the same with artwork added, but still there might only be four different arenas.  They could use more variety. Later chapters in Story mode seem to tie the same outdoor areas together.  It doesn't seem to be as big as Honkai: Star Rail.  Obviously, it's not big like Genshin Impact.

Choosing the right camera for the job

 I've been around quite a while.  I sold cameras in the 1970s, photographed sports, did graphic design, and made videos at skate parks.

How do you choose the best camera for you?

• Decide what you want to do with it.
• See if there are lenses within the system that will do what you want.
• Choose must-have features and decide what other features would be helpful, but not necessary.
• Decide how much you can pay for equipment and software to support the equipment.
• Find videos on equipment both positive and negative.
• Don't fall in love at first sight.
• Don't be swayed by brand fanatics. 
• Who needs the latest and greatest?

Decide what you want to do with it

  If you're not sure what you want to do with it, you'll be wandering in every direction.  If you mostly want to take video, you shouldn't buy a dSLR because a mirrorless body will be more flexible.  If you want a great dSLR for stills photography, there may be several bodies within a brand that will meet your needs.

See if there are lenses within the system that will do what you want

 You must check to see if the best lenses for the job are available.  If you want to do wide landscapes, you'll want lenses with lower numbered focal lengths and bigger format sensors.  If you're trying to photograph wildlife, smaller sensors will help you cut the effective distance.

Choose must-have features and decide what other features would be helpful, but not necessary

Do you really need 8K video?  Can you live without In-body Image Stabilization?  Do you need 50+ MP?  Do you need weather-resistance?

Decide how much you can pay for equipment and software to support the equipment

You always have to look at every part of your workflow, not just the camera body.

If you're concentrating on stills photography, you'll need a good raw developer.  My favorite is Capture One Pro.  I've been using it since version 3.0.  Some people swear by Lightroom, which I tried when it was new, but like most Adobe software, I swore at it.  If you need something less expensive Affinity Photo by Serif works both as a raw developer and a Photoshop alternative. 

For video, you'll need something that will accept your camera's files.  You can use Da Vinci Resolve, Hit Film Pro, Premiere Pro, Vegas Pro.  Remember to figure the cost of your plug-ins, also.

Great lenses aren't cheap, either.  You'll have your lenses longer than your camera bodies.  Also, if you need to capture video and stills, you might want to have two less expensive bodies that can handle each function separately.

Find videos on equipment both positive and negative

Since there are so many video reviews, it's best to see what can be done.  Don't automatically trust them, though.  View them from a variety of sources.  Don't be surprised if they differ quite a lot.  Be suspicious of overly positive or overly negative outcomes.  I used to see magazines compare technology whether computers or cameras and they would complain about several problems and the product with the most advertising in the magazine would always win. 

Don't fall in love at first sight

It's easy to go into a store and find a camera body or lens presented in such a way that you cannot deny how great it is, even if it doesn't fit your needs.  Six months later, you could be regretting spending the money.

If you already have equipment, try it with something you own.  Capture photos or video on your own card.  Think before rushing into buying.

 Don't be swayed by brand fanatics

 I used to hear something like "My dad's cousin's niece's college roommate's boyfriend's dad uses CaNikon, so you should, also."

I've been to a few stores where I got "Oh, we don't know anything about those.  We only use CaNikon."

When I was selling cameras, I always explained the system and why the bodies were best for certain functionality.  I've met a few sales people who didn't know what they were selling.

Who needs the latest and greatest?

Who hasn't seen the latest technology and wanted it, not because it was necessary, but because it was new?

You can save yourself headaches and money by using something that's been in use for a while and has all the firmware updates to make it reliable.  If you're making money with your equipment, reliability is so important.

Remember that your choice is correct for you

Find what is the best for you and make the most of it.  Try every setting and learn from failure.  Keep the equipment manuals on your phone.  I've seen a load of people who will sneer at you for not using their brand.  Wedding photographers are like that, but hobbyists are worse.  Those who are ignorant of all the choices tend to sneer.  Just keep going and outdo them with better photographs.

135 Format on the way

From my history of photography 

Over the years, I've handled a lot of different camera bodies in various formats.  The first camera I used was a 6x6 box camera using roll film.  I've used very technical cameras since then and with the digital age, I started again.  Since 2004, I've been using Four-Thirds and micro Four-Thirds, both Olympus and Panasonic.  I tried Nikon for a bit, but it was a pain, moreso than during the film era.  Fujifilm made my favorite film cameras, along with Olympus and Mamiya.

I've photographed sports with Four-Thirds and micro Four-Thirds equipment starting with the Olympus E-1 in 2004.  Back then, it was hard to believe that digital cameras would be good enough.  Now, it's difficult to believe that young people are using film cameras or that Pentax and Rollei have developed new film cameras for sale recently.

Back to the present

I just ordered a Panasonic S5 Mk II with 20-60mm f/3.5-5.6 and 50mm f/1.8.  The Amazon 5 payments thing got my attention.  Getting it the next day was surprising.  I guess they didn't want me to have time to think about canceling the order.

It's new for me, but this body has been out long enough to have firmware version 3.1.  Panasonic finally admitted that they needed to provide Phase Detection AF, instead of their hit-or-miss Depth from Defocus technology that was introduced on the GH4.  I didn't like DFD then, and while it's become better, it will never be good enough.

I was looking at another micro Four-Thirds body, an Olympus E-M1 Mk III, which was good and then, there was a Panasonic G9 Mk II trade-in special that was incredible, marking it down US$600 and then, adding your trade-in value.  The G9 Mk II also has PDAF.  They did the same with the GH7.

The problem with micro Four-Thirds is that we don't know when it will end.  135 Format is claiming a lot of the market finally, as mirrorless bodies have taken over in a big way.  I got involved with micro Four-Thirds back in 2012 with the GH3.  At one point, I was taking an Olympus E-M1, Panasonic GH4, GX8, and GM5 to skate parks with me.  Now, I only have the GM5.

Panasonic to Panasonic

The S5 Mk II is about the same size as the GH4.  It's not huge, but it is bigger than the undersized Sony bodies that are difficult to hold but becoming better.  It's certainly bigger than most of the 135 Format film bodies from the 1970s, except for the Nikon F2.

The lenses seem small, but again, they're bigger than equivalent lenses in the 1970s.  However, nothing back then was weather-sealed and not much had auto focus.  The Polaroid SX70 was the first camera I sold (I was in camera sales for a while) with auto focus, and auto exposure was just coming to cameras later in that decade.

I'm charging the S5 Mk II battery right now.  Instead of a separate charger, they have a USB type-A to type-C cable, and a power adapter for AC current.  The light atop the body signals that it is being charged.  That is also the light that signals a connection to the phone app.

The menus are familiar but much has been added since the GH4 or GX8.  It's going to take a while to get the settings right.  I need to set up the custom settings, so that it uses Natural, instead of Standard, and Raw instead of JPEG.  I also need to set a video mode, 1920x1080 at 60p.  While I have computers to handle 3840x2160 or 4096x2160, I don't want to record 4K video.  I found that you must set file format MP4 for 1080p, unlike what I did with the GH4.  MOV format is reserved for 4K and C4K.

I need to order an SD Card for storage.  I have a few around here somewhere, but they're older.  This body uses UHS II cards for speed.  There are two slots but I don't need to fill both.  I'm also considering third party batteries.  There is a brand called Wasabi with a charger and two batteries for US$39.99.  I can't imagine that they'll last a year, but for my casual use, that shouldn't be a problem.  My official Panasonic GH4 batteries were still going after three years.

How much does anyone need?

I've watched a few videos about the S5 Mk II and how it compares to Sony and Canon.  Why don't they compare it to Nikon?  I'm not sure.

24 Megapixels isn't a lot in 2024, especially with Fujifilm's APS-C sensor having 40 MP.  I don't need more and I suspect few people need more, unless they're working professionally.  In that case, they should be using Medium Format.  Lower pixel counts require you to be more careful.  I've been working mostly with 16 MP and occasionally with 20 MP.  I'm sure 24 MP will be fine for me, especially with a dual-gain sensor.  I was using ISO 3200 as my upper limit of acceptable photos for micro Four-Thirds, ISO 4000 for the Nikon D7200, and I expect ISO 6400 will be the reasonable limit for this sensor, but I might push it to ISO 12800.

Thinking about APS-C, there is such a mode, similar to what Nikon does from FX to DX.  It likely works with L-mount lenses that are connected electronically, rather than with manual lenses.  I was thinking about one of the fisheye lenses that are available.  They're mostly the same as the micro Four-Thirds lenses but with a different mount.

I keep thinking about the day in April 2004 when I bought the Olympus E-1, 50-200mm f/2.8-3.5, and 14-54mm f/2.8-3.5.  I spent about US$3000 and this S5 Mk II kit cost about US$2249.  I didn't get a telephoto zoom of any kind with the S5 Mk II, unfortunately.  That would have cost at least an extra US$1000 right now for a Panasonic lens.  Having two lenses that overlap isn't great, but night shooting is possible.

I'm thinking about a Samyang 35-150mm f/2.0-2.8 as a zoom lens to cover a decent range at a big aperture.  There really aren't many telephoto lenses although Sigma's 60-600mm lens (like Bigma, 50-500mm), covers quite a bit, if you have a strong heart and a strong tripod.  The reviews say that there is a problem with the Samyang lens, but you can update the firmware.  Apparently, the lens firmware is updated the way we used to do with the micro Four-Thirds lenses on Panasonic bodies by putting the update on the SD Card.  If the firmware corrects the problem, US$1399 is a decent price for a good, maybe great, lens.

Update 2024.10.20: Yesterday, I took the S5 Mk II out for a few night photos.  I regularly did the same with the GH4 years ago, so I hoped for good results.  However, I might not have had things set properly.  Having a camera for about a week and going for the first try, I might still not have been ready.  Besides, I'm not as steady as I used to be.

This one was taken with Auto ISO.  Later photos were taken with ISO 4000 to ensure that it activated the higher ISO gain but this one looks just fine.  I could see a long spider web thread.

What made the GH4 so impressive is that it could focus in "starlight" EV -4.  The GH3 had that enhancement added via a firmware update. 

I had taken out the GM5 earlier in the afternoon and I wonder if I did better with it.  After eight years, the AF is generally tried and true.

Update 2024.10.24: I went out tonight with the 20-60mm f/3.5-5.6 which seemed like a bad idea.  It wasn't perceptibly worse than going out with the 50mm f/1.8 lens.  Most of the shots had a shutter speed of 1.3 seconds.  I even managed to hold most of them steady.  One thing that seems a bit odd to me is that the 20-60mm doesn't have any OIS (optical image stabilization), whereas the micro Four-Thirds standard kit lenses (14-45mm, 14-42mm) did.  I'm trying to think back to the Four-Thirds Leica/Lumix D lenses and I believe that the standard zoom lenses also had OIS.  The Leica-designed normal 25mm f/1.4 did not.

Thankfully, the IBIS is as effective as that of Olympus.  They started out on the same sized sensor but the 36x24mm vs 17.3x13mm makes for some addition stress.  Getting 96 MP out of high resolution mode is impressive.  Panasonic did a lot of work to make that happen.

Update 2024.11.18: I'm still adjusting.  I bought a tripod.  It's a Smallrig CT-20, which can be converted into a monopod.  The instructions aren't good, so I'm figuring it out.  It was quite a bit less expensive that my Manfrotto tripod, which was a bit over US$200 back in 2012.  US$80 in 2024 doesn't seem much, especially coming from a company that designs and builds cages for cameras in the video industry.  Supposedly, it can support about 33 pounds/15 kg but I saw a lower figure for the ball head.  In any case, the S5 Mk II and most lenses will not add up to anywhere near that heavy.  Even that Samyang 35-150mm f/2.0-2.8.

I actually wanted to get some shots of the supermoon but the tripod didn't arrive in time and my Panasonic GM5 and Olympus 50-140mm f/4.0-5.6 doesn't have OIS.  Having a proper telephoto zoom for the S5 Mk II might be a while, especially as slowly as Panasonic is designing and producing them.

Five Months of Solo Leveling: Arise?

 We're still going?  It feels as though most of us are close to being pushing the limits.

One new character and a couple of new weapons.  More mechanics.  Are you excited?

Using all of the coupons, I got a couple of Sung Jinwoo's weapons through Draw, so now, they have at least one Advance.  I needed those upgraded.  Things are moved a bit in the interface and the shop lag is much better.  I'm not sure why they need to animate all of those labels, but at least, the animation is quicker now.  Lag starting in Red gates seems less now.  Sung Jinwoo would always seem to take longer to start moving than the Hunters did.

Update 2024.10.17: Character level is 84 and Reputation level hit 51 a couple of days ago.  Finally was able to craft the exclusive weapon for Anna Ruiz.  Also, got Baek Yoonho and crafted his exclusive weapon.  It feels as though things are moving more slowly.  Challenges are at a standstill, as my characters need to be more powerful.  Apparently, characters at level 65 would be sufficient to handle these challenges, but my characters aren't fully leveled up.  Skill Scrolls are rare and I probably use nine different Hunters, so I can't just concentrate on three to get them to maximum.

Update 2024.10.30: Character level is 85 and Reputation level is 53.  Don't feel the need to update as much.

Watched the livestream and I was surprised that many people are complaining about bans on Android.  Hopefully, they're not doing anything wrong.

 

They increased the character level maximum to 95, just as I was getting close.  Pumpkin weapon is new.  I should pair it with the Marlin board.  I haven't used that or the fiery kebab.

Hope you're having fun.

Update 2024.10.31: Happy Halloween! All that talk of re-balancing has me wondering.

When I finally got to play, my Battle Tier leveled up twice.   Sung Jinwoo's job title changed twice, although one seemed to be the one he already had.  One of the Hunters, went from the 4th spot to the 1st spot and still doesn't seem all that powerful.  Using the codes and everything else, some of the weapons ended up with an Advance.  I'm also managing to level up the weapon skills, where possible.  Most are now at level 7 with one at level 9, but with a couple of them at level 6.

 

I haven't been able to level up artifacts because I don't have the resources.  I'm compensating, but leveling up their skills.  There are still a few level 4 skills on SSR-ranked Hunters.  I've been using a few SR-ranked Hunters, so I need to upgrade them also.

With the job change, they changed Sung Jinwoo's outfit and I guess that's okay, as summer is definitely over, even here in Sunny California.  I'm sure Seoul is much more chilly than here, so I should let him dress more warmly.

Update 2024.11.02: Reputation level is up to 54 and I hit the 180 logins mark.  Since Halloween is finished and so is Dia Del Muertos, they're probably going to change things next week.  Christmas isn't a big holiday in Asia but they'll probably decorate for it and New Year's Day is more important to most Asians, although the Thai calendar is different, as is the Chinese calendar.  Speaking of calendars, Daylight Saving Time is over until Spring and will change at 02:00 Sunday.